Adriana Alcaide (ES)
You are invited to listen to the recording of the concert in the Banchetto Musicale broadcast !
The online limit of the recording is 30 days.
Concert leaflet
Violin

Ticket order:
Artist’s message to visitors
After many years of life experience, suffering and success, my purpose with music is to create a space of inner freedom where everything is possible. Let the power of the sound guide our souls. When did it start, when will it stop? A real gift of no time and no space. The baroque violin and my voice will make you travel between the past and the present.
My artistic mission
My personal mission is bringing the music of baroque times for violin to today’s audience in the most honest and respectful way, transmitting the pure soul of that period. And according to our present moment, being able to put together the past and the present. My aim is to break borders, limits, and separation to delete time and space, finding the value no-time and no-space.
Event programme
Johann Sebastian Bach (1685-1750):
Partia Seconda a violin solo senza basso
Allemande
(Sei Solo a violino senza Basso accompagnato, BWV 1004)
Adriana Alcaide (*1973):
Miratges
(improvizacija / improvisation)
Johann Sebastian Bach (1685-1750):
Partia Seconda a violin solo senza basso
Sarabande
(Sei Solo a violino senza Basso accompagnato, BWV 1004)
Adriana Alcaide (*1973):
Nonstop
(improvizacija / improvisation)
Johann Sebastian Bach (1685-1750):
Partia Seconda a violin solo senza basso
Ciaccona
(Sei Solo a violino senza Basso accompagnato, BWV 1004)
Nicola Matteis (1650-1714?):
Passaggio Rotto
Adriana Alcaide (*1973):
Ocean
(improvizacija / improvisation)
Heinrich Ignaz Franz von Biber (1644-1704):
Passagaglia
(Sacrum Mysterium)
Adriana Alcaide (*1973):
Hokkaido: improvisation
Johann Sebastian Bach (1685-1750):
Partia Seconda a violin solo senza basso
Ciaccona
(Sei Solo a violino senza Basso accompagnato, BWV 1004)
Banchetto musicale
Banchetto musicale is a broadcast in which we focus on concert recordings of music from an earlier date on the Ars program. In it, we listen to recordings of our central early music festivals - the Radovljica Festival and Seviqc Brežice, as well as foreign concerts performed by renowned artists, experts in the performance of early music.